![]() It’s a variable gain compressor that sounds just as great on your mastering bus as on your individual tracks. Ian Sefchick (mastering engineer at Capitol Records), this tube compressor’s circuit is loosely based on a Fairchild 660. ![]() ![]() MagicDeathEye v1.1.7 MAC SPTNDC | Octo| 12.7 MB PLATFORM: MAC32/64 – AU/VST/VST3Įverybody who has ever had a chance to listen to a MagicDeathEye compressor has been blown away by its sound. I spent a lot of time shaping this EQ mastering everyday and fine tuning the components on the weekends. The boost of the bands can be 5dB or 3dB split between 5 steps. There is also a two frequency low cut for tightening up out of control bass. The EQ circuit is inductor based and has wide curves for giving program material that “little something”. This means it is not before or after the compression section, it is within it. The EQ is worked into the Variable Mu tube gain structure. There are two (boost only) bands with two frequency selections each. This new version has an added EQ section. From the description of the hardware: “The stereo compressor is two mono compressor circuits with some extras designed for mastering and buss compression duties. ![]() The second product of the ongoing and very fruitful collaboration with MagicDeathEye is a faithful emulation of their stereo master buss compressor & equalizer. MagicDeathEyeStereo v1.1.1 MAC SPTNDC | Octo| 13.4 MB PLATFORM: MAC32/64 – AU/VST/VST3 ![]()
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